



b. 305-306
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composition: Op. 49, Fantaisie in F minor
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In A there is no slur over the final fragment of this theme, from bar 306, opening a new line. It must be Chopin's oversight, hence in the main text we include the respective fragment of the FE slur (→EE) as its complement. According to GE, the ending of the A slur in bar 305 suggested that it should be continued, and therefore it was led to the 1st note in bar 306. category imprint: Graphic ambiguousness; Differences between sources issues: GE revisions , Errors of A , Uncertain slur continuation |
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b. 305
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composition: (Op. 4), Sonata in C minor, Mvt IV
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When interpreted literally, the A slur encompasses more or less the notes ranging from F1 to c; it is undoubtedly inaccurate in this form. In this situation it seems natural to lead it to the end of the bar, yet in the main text we include the interpretation adopted by GE (→FE,EE,IE), in which the slur starts from the 2nd quaver, as Chopin clearly wrote it in a similar context in bar 293 and in the entire group of similar figures in bar 154, 162-163, 166-167, 170-171. category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions issues: Inaccurate slurs in A , GE revisions |
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b. 306
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composition: Op. 21, Concerto in F minor, Mvt I
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The cautionary flat before e category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of GE |
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b. 306-308
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composition: Op. 21, Concerto in F minor, Mvt I
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In A the accents in bars 306 and 308 are long, which is very clear particularly in bar 308. In spite of this, in GE1 and subsequent editions they were reproduced as short ones. category imprint: Differences between sources issues: Long accents , Inaccuracies in GE |
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b. 306-308
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composition: Op. 21, Concerto in F minor, Mvt I
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Starting the slurs in bars 306 and 308 already from the beginning of the bar is a typical inaccuracy of GE1 (→FE→EE). Slurs compliant with A were restored in GE2. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |