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b. 440
|
composition: Op. 11, Concerto in E minor, Mvt I
..
Both the fingering of FEH, although written by a foreign hand, and the identical indications in EE are almost certainly compliant with the Chopinesque one. Cf. bars 416-417. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
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b. 440
|
composition: Op. 11, Concerto in E minor, Mvt I
..
The compliant fingerings of FEH and EE almost certainly correspond also to the Chopinesque fingering – cf. bars 416-417. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
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b. 440
|
composition: Op. 11, Concerto in E minor, Mvt I
..
As in the previous case (cf. bars 416-422), GE3 arbitrarily provided the first two semiquavers with staccato dots. There is a similar situation in bars 442, 444 and 446. category imprint: Differences between sources issues: GE revisions |
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b. 441
|
composition: Op. 21, Concerto in F minor, Mvt III
..
In the main text we add a cautionary category imprint: Editorial revisions |
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b. 441
|
composition: Op. 21, Concerto in F minor, Mvt III
..
The wedge written in A was inaccurately reproduced in GE as a dot. The omission of the sign in FE (→EE) must be a mistake. category imprint: Differences between sources issues: Errors in FE , Inaccuracies in GE , Wedges |
before B
.
