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b. 237

composition: Op. 22, Polonaise

..

In FE (→GE), there is no  restoring g2 on the 8th semiquaver. The patent mistake was corrected in EE. In addition, none of the sources includes the  restoring b2 on the 15th semiquaver.

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: EE revisions , Errors in FE , Omissions to cancel alteration , Errors repeated in GE , Errors repeated in EE

b. 237

composition: Op. 22, Polonaise

..

In the main text we add cautionary flats before e1 and a1.

category imprint: Editorial revisions

b. 237

composition: Op. 23, Ballade in G minor

Staccato in A (→FE→EE)

No mark in GE
..

The engraver of GE added his oversight at the beginning of this bar to the six staccato dots overlooked by FE. 

category imprint: Differences between sources

issues: Errors in GE

b. 237

composition: Op. 2, Variations, complete

..

In GE1 (→FE1,GE2), the  raising b1 to b1 is before the 1st third. Interestingly enough, it is not a common mistake but a wrong revision, since the traces of corrections in print (visible particularly in GE2) reveal that initially the text was printed correctly, with a  before the 3rd semiquaver. In FE2, EE, FESB and GE3, the  was moved to the right place, while in EE another natural was added, a cautionary one to g1 in the 1st third. We include this cautionary accidental also in the main text, hence our text is identical to version of EE.

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: EE revisions , Errors in GE , GE revisions , Authentic corrections of FE , FE revisions , Errors repeated in FE

b. 237-238

composition: (Op. 4), Sonata in C minor, Mvt I

No fingering in A (→GE→FE,IE)

Fingering in EE
..

In the main text we do not include the inauthentic fingering added by EE.

category imprint: Differences between sources

issues: EE revisions