



b. 237-239
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composition: Op. 11, Concerto in E minor, Mvt III
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The fingering entered in FEH in bar 237 and repeated in bar 239 bears a strong resemblance to Chopin's handwriting and is compliant with the Chopinesque fingering of similar figurations in the Etude in C category imprint: Differences between sources |
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b. 237-239
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composition: Op. 11, Concerto in E minor, Mvt III
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In bars 237 and 239, we add cautionary sharps before f category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 237
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composition: Op. 11, Concerto in E minor, Mvt III
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According to us, leaving the 1st triplet without slur is a clear inaccuracy of notation, probably committed by the engraver of FE, although inaccurate slurs of [A] are also likely. The slurs can be corrected by prolonging the slur in bar 236 or by starting earlier the one from bar 237. In the main text, we give the former due to its statistical advantage in similar places – 2 appearances (bars 232-233 and 238-239) to one (bars 234-235). The solution analogous to bars 234-235 may be considered an alternative interpretation of the slurs of FE (→EE). category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 237-246
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composition: Op. 31, Scherzo in B♭ minor category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FC |
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b. 237
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composition: Op. 22, Polonaise
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In FE (→GE), there is no category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Errors in FE , Omissions to cancel alteration , Errors repeated in GE , Errors repeated in EE |