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b. 235-236
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composition: Op. 49, Fantaisie in F minor
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The missing pedal markings in GE1 must be an oversight (bar 235 ends a page, which is conducive to defects; in this case the engraver's distraction also included the preceding bar – see the note on the slur and category imprint: Differences between sources; Editorial revisions issues: Errors in GE , GE revisions |
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b. 235
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composition: (Op. 4), Sonata in C minor, Mvt I
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The category imprint: Interpretations within context issues: Accidentals in different octaves |
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b. 235
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we omit the cautionary flats to the A category imprint: Differences between sources; Editorial revisions issues: GE revisions , Cautionary accidentals |
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b. 235-236
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composition: (Op. 4), Sonata in C minor, Mvt I
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In this context, the absence of the longer slur corresponding to the slurs in the 3 preceding analogous situations must be considered Chopin's inadvertence. It was already GE (→FE,EE,IE) that regarded it as such. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 236
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composition: Op. 43, Tarantella
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In GE e category imprint: Differences between sources issues: Inaccuracies in GE |
). On the other hand, one can doubt whether the marks that are absent in 
to the bottom note of the 7th quaver in the bar is missing in the sources, as both Chopin and the publishers considered the accidental to the 1st quaver to be valid also here.
1-A
1 crotchet in RH is not dotted.