



b. 235-236
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composition: Op. 49, Fantaisie in F minor
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The missing pedal markings in GE1 must be an oversight (bar 235 ends a page, which is conducive to defects; in this case the engraver's distraction also included the preceding bar – see the note on the slur and category imprint: Differences between sources; Editorial revisions issues: Errors in GE , GE revisions |
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b. 235
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composition: (Op. 4), Sonata in C minor, Mvt I
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The category imprint: Interpretations within context issues: Accidentals in different octaves |
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b. 235
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we omit the cautionary flats to the A category imprint: Differences between sources; Editorial revisions issues: GE revisions , Cautionary accidentals |
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b. 235-236
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composition: (Op. 4), Sonata in C minor, Mvt I
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In this context, the absence of the longer slur corresponding to the slurs in the 3 preceding analogous situations must be considered Chopin's inadvertence. It was already GE (→FE,EE,IE) that regarded it as such. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 236
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composition: Op. 43, Tarantella
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In GE e category imprint: Differences between sources issues: Inaccuracies in GE |