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b. 303

composition: Op. 11, Concerto in E minor, Mvt I

..

There is no slur in GE3, which must be an oversight.

category imprint: Differences between sources

issues: Errors in GE

b. 303

composition: Op. 11, Concerto in E minor, Mvt I

Beams in FE (→GE1GE2)

Beams in EE

Beams in GE3

..

In FE (→GE1GE2) and EE, the notation of the first two semiquavers is probably erroneous. Although the traces of corrections in print point to a proofreading of this place, it seems, however, that it was a more serious mistake that was corrected, concerning beams, whereas the result may be a compromise between Chopin's intention and the engraver's convenience. Due to this reason, in the main text we repeat the undeniable notation of analogous bar 287. An identical revision was introduced in GE3. In this context, the reversed beams in EE, apparently without influence on the musical sense, may suggest a different arrangement of voices than the notation of FE.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 303

composition: Op. 31, Scherzo in B♭ minor

..

Both here and in b. 305 Chopin crossed out the  marks in A and replaced them with double grace notes, like in b. 278 & 280.

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A , Deletions in A

b. 303

composition: Op. 44, Polonaise in F♯ minor

Quavers e-b in GE

Quavers c-e-b in FE (→EE)

..

In the main text we include the c notes added in the four quaver chords at the time of proofreading of FE (→EE), almost certainly by Chopin.

category imprint: Differences between sources

issues: Authentic corrections of FE

b. 303

composition: Op. 44, Polonaise in F♯ minor

 in GE

in FE (→EE)

..

In GE the trill is written down without a wavy line after the  mark. In the main text we give the more suggestive version of FE (→EE).

category imprint: Differences between sources