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b. 219-221
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composition: Op. 49, Fantaisie in F minor
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In the main text we suggest the literal interpretation of the A slurs. Typical Chopinesque triplet slurs are short and rarely go beyond the triplet (cf. bar 78, 114 and 281), which justifies our interpretation, in spite of the discussed slurs having been written carelessly. Therefore, these slurs having been reproduced as triplet slurs by the editions can be considered justified and potentially accurate. category imprint: Graphic ambiguousness issues: Inaccurate slurs in A , Triplet slurs |
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b. 219-221
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we do not include the inauthentic R.H. part fingering added by EE. category imprint: Differences between sources issues: EE revisions |
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b. 219-222
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we add cautionary flats to b category imprint: Editorial revisions |
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b. 220
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composition: Op. 43, Tarantella
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We add cautionary category imprint: Editorial revisions |
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b. 220
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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In FE1 (→FE2→FE3) the 1st note in the L.H. is an A category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Authentic corrections of FE , Annotations in FESch |
in bar 219 and 221 and naturals to d1 in bar 220 and 222. 
before f2 and g2 quavers in RH.
. The mistake was corrected in