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b. 302-304
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composition: Op. 21, Concerto in F minor, Mvt I
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In bars 302 and 304, Chopin placed a natural before the b2 crotchet in A (→GE1→FE→EE). In the main text we omit those superfluous signs. The naturals were removed also in GE2. The signs reveal Chopin's way of thinking, considering the top and bottom voices independently – cf. the 3rd mov. of the Concerto, bar 422. category imprint: Differences between sources issues: GE revisions , Cautionary accidentals |
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b. 302-305
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composition: Op. 21, Concerto in F minor, Mvt I
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The quavers opening these bars are provided with clear wedges in A. Reproducing them as staccato dots is a very frequent inaccuracy of GE (→FE→EE). category imprint: Differences between sources issues: Inaccuracies in GE , Wedges |
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b. 302
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composition: Op. 11, Concerto in E minor, Mvt I
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A comparison with the five bars, which had already occurred, containing a similar procedure proves the mistake of GE1 (→GE2), corrected in GE3. category imprint: Differences between sources issues: Errors in GE , Terzverschreibung error , GE revisions |
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b. 302
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composition: Op. 16, Rondo in E♭ major
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In GE, there is no category imprint: Differences between sources issues: Errors in GE |
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b. 302-303
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composition: Op. 11, Concerto in E minor, Mvt III
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In this case, the staccato dots added in GE3 are partially justified – this is how three chords in bar 75 (counterpart of bar 303) are marked in FE. The reviser of GE3 was more zealous here than in bars 74-75, in which he left the last quaver in bar 75 without additions. category imprint: Differences between sources issues: GE revisions |
3 in chord in 
lowering d2 to d
2. A mistake is evidenced by a cautionary 
before d2 in the next bar.
