Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 44, Polonaise in F♯ minor
The prototype of these bars – to the 1st beat of b. 206 – is the first phrase of AImaz, a draft autograph constituting an additional source of the Polonaise. In this autograph, the fragment is written down half a tone lower, in E
major with modulation to B major, not having been transferred to a higher octave in b. 202. In the notes discussing the text of AImaz, we give the pitch after transposition to the key of the respective bars of the Polonaise (half a tone higher).
Further on, AImaz corresponds to b. 220-243 of the final version.
Compare the passage in the sources »
category imprint: Corrections & alterations; Source & stylistic information
notation: Pitch
