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b. 272
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composition: Op. 21, Concerto in F minor, Mvt I
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The middle note of the arpeggiated chord, f1, is a crotchet of the bottom voice in A (→GE). In FE it was assigned to the top one, which shortened its value to a quaver – it is probably a result of Chopin's proofreading. In EE, an extending dot was added to the quaver adopted from FE. category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |
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b. 272
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composition: Op. 21, Concerto in F minor, Mvt I
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In GE1 (→FE→EE) the long accent present in A was overlooked. The accent was restored in GE2 but as a short one. category imprint: Differences between sources issues: Long accents , Errors in GE , GE revisions |
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b. 272
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composition: Op. 21, Concerto in F minor, Mvt III
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In A Chopin wrote in the part of the R.H. the text of the next bar by mistake. Having noticed the error, he crossed out the bar and wrote the correct text on an adjacent stave. category imprint: Source & stylistic information issues: Corrections in A |
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b. 272
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composition: Op. 11, Concerto in E minor, Mvt I
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In GE1 (→GE2), there is no category imprint: Interpretations within context; Differences between sources issues: GE revisions , Omission of current key accidentals , Authentic corrections of FE , Errors repeated in GE |
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b. 272-273
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we include the change of fingers, written by Chopin in FED. The fingering of EE actually does not exclude the use of this procedure, yet it seems to be highly unlikely that Fontana would not have marked such a characteristic fingering if he had taken it into account. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Differences in fingering |
before the second quaver. It must be a mistake – between two bars based on the same four-note diminished chord containing g, a possible g
would require a cautionary 
, not to mention the tied g in violin II. It was most probably [A] that was the source of the mistake, since the 
