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b. 271-272

composition: Op. 35, Sonata in B♭ minor, Mvt II

..

In GE1 the last of the slurs encompassing the three-note motifs was overlooked.

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 271-272

composition: Op. 21, Concerto in F minor, Mvt I

Slur in A

Slurs in GE1

Slurs in FE

Slurs in EE

Slurs in GE2

..

Over the part of the R.H. (in some editions under), apart from the top, several-bar-long slur, the sources include one or two additional slurs of varied range. According to us, it is most probably only the slur of A that is authentic, hence we give it in the main text. The absence of visible traces of corrections of slurs in GE1 makes a possible Chopin proofreading highly unlikely, whereas the subsequent minor changes of the range of the first slur, of inaccurate (FE) or revisional (EE and GE2) nature and actually without impact on the performance, cannot be authentic.

category imprint: Differences between sources

issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE , GE revisions , Authentic corrections of GE

b. 271

composition: Op. 21, Concerto in F minor, Mvt I

Accent in A & GE2

No mark in GE1 (→FEEE)

..

The missing accent is a patent oversight of GE1 (→FEEE).

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 271

composition: Op. 21, Concerto in F minor, Mvt I

 in A

No sign in GE (→FEEE)

..

The  hairpin is poorly visible in A from under the poco ritenuto indication. The engraver of GE1 (as well as the reviser of GE2) could have not noticed it or even considered that the indication had been written with an intention to replace (cross out) the  sign.

category imprint: Differences between sources

issues: Errors in GE

b. 271

composition: Op. 16, Rondo in E♭ major

Hairpin in FE (→EE)

Hairpin from 2nd quaver in GE

..

In GE, the ​​​​​​​ hairpin starts from the 2nd quaver. It is a minor inaccuracy of the engraver.

category imprint: Differences between sources

issues: Inaccuracies in GE