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b. 267

composition: Op. 11, Concerto in E minor, Mvt III

No slur in FE (→GE1→GE2)

Slur in EE & GE3

Same slur suggested by the editors
..

In the main text, we suggest adding a slur after the identical slur in bar 265. The slur was added already in EE and GE3. 

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions

b. 267

composition: Op. 16, Rondo in E♭ major

Slur from beginning of bar in FE (→GE,EE)

Slur from crotchet suggested by the editors
..

category imprint: Editorial revisions

b. 267

composition: Op. 16, Rondo in E♭ major

No mark in FE (→GE,EE1)

Staccato dot in EE2 (→EE3)
..

category imprint: Differences between sources

issues: EE revisions

b. 267-268

composition: Op. 31, Scherzo in B♭ minor

f1 & f tied in A (→FC→GE) & FESf

f1 repeated, f tied in FE

f1 tied, f repeated in EE
..

In FE b. 267 closes the line of the text. There are no ties of the R.H. minims, f-f1, therein, whereas in b. 268 it is only the tie of f that was finished. These are patent mistakes. EE ignored that partial tie while adding a tie of f1, probably on the basis of comparison with an analogous place in b. 271-272, where FE has only the tie of f1. All necessary ties in the discussed bars were added in FESf.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FESf

b. 267

composition: Op. 22, Polonaise

..

In FE, there is no  raising a to a, which is a patent mistake, corrected in GE and EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions