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b. 189

composition: Op. 35, Sonata in B♭ minor, Mvt II

in GC

in FE

in GE

in EE

suggested by the editors

..

In the main text we give the indication its conventional form.

category imprint: Differences between sources; Editorial revisions

b. 189-192

composition: Op. 64 No 2, Waltz in C♯ minor

Longer  in A

Shorter  in FE (→EE)

No sign in GE

..

The absence of the sign in GE most probably means that it was originally absent also in FE, in which it was however added – perhaps by Chopin – in the last stage of proofreadings of FE. In the main text we give the sign written in A in these bars, slightly longer than in the previous appearances of this phrase.

category imprint: Differences between sources

issues: Errors in FE , Scope of dynamic hairpins , Errors in GE , Authentic corrections of FE

b. 189-190

composition: Op. 64 No 2, Waltz in C♯ minor

One-bar pedal in A (→FEGE1op,GE1no2,EE)

Two-bar pedal in GE2op (→GE3op) & GE2no2

..

Similarly as in bars 61-62, in later GE the pedalling in bars 189-190 was changed after bars 45-46.

category imprint: Differences between sources

issues: GE revisions

b. 189-191

composition: Op. 11, Concerto in E minor, Mvt I

No fingering in FE (→GE)

Fontana's fingering in EE

category imprint: Differences between sources

issues: EE revisions

b. 189

composition: Op. 11, Concerto in E minor, Mvt I

No fingering in FE (→GE)

Fontana's fingering in EE

Fingering written into FEH

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FEH