Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 23, Ballade in G minor
The traces of corrections performed in print of FE reveal that each of the three octaves in the 1st half of the bar was initially written down without division into parts, on one stem pointing downwards. The corrections in A suggest that Chopin introduced a similar change into A – the removed elements correspond to the octaves provided with stems pointing upwards only. It may be another case of "parallel" corrections of A and FE1 – see the description of that edition.
Compare the passage in the sources »
category imprint: Corrections & alterations; Source & stylistic information
issues: Corrections in A, Deletions in A, Authentic corrections of FE, FE revisions
notation: Shorthand & other