b. 238
|
composition: Op. 35, Sonata in B♭ minor, Mvt II
..
in EE is probably a result of Chopin proofreading of the base text to this edition. However, according to us, the version of the remaining sources can be considered to be equal. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of EE |
||||||
b. 238-242
|
composition: Op. 35, Sonata in B♭ minor, Mvt II
..
Three phrase marks were probably added by Chopin in the base text to EE. We give them in the main text as an alternative, suggesting considering the possibility of an inaccurate interpretation of the signs by the engraver. category imprint: Differences between sources; Corrections & alterations issues: EE inaccuracies , Authentic corrections of EE |
||||||
b. 238
|
composition: Op. 21, Concerto in F minor, Mvt I
..
In the main text we preserve the cautionary (?) , present in all sources, before a1 as a proof of the Chopin way of thinking. However, the reason for its introduction is unclear – Chopin may have simply followed an analogy with bars 230 and 236, in which the corresponding semiquaver is a g1, always written with a . category imprint: Source & stylistic information issues: Cautionary accidentals |
||||||
b. 238
|
composition: Op. 19, Bolero
..
We suggest adding for the 1st quaver in the L.H., as it is in analogous bar 92. category imprint: Differences between sources; Editorial revisions |
||||||
b. 238
|
composition: Op. 11, Concerto in E minor, Mvt I
..
GE3 overlooked the tie to d1. category imprint: Differences between sources issues: Errors in GE |