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b. 238

composition: Op. 35, Sonata in B♭ minor, Mvt II

in GC (→GE) & FE

in EE

..

 in EE is probably a result of Chopin proofreading of the base text to this edition. However, according to us, the version of the remaining sources can be considered to be equal.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of EE

b. 238-242

composition: Op. 35, Sonata in B♭ minor, Mvt II

No slurs in GC (→GE) & FE

Slurs in EE

Our alternative suggestion

..

Three phrase marks were probably added by Chopin in the base text to EE. We give them in the main text as an alternative, suggesting considering the possibility of an inaccurate interpretation of the signs by the engraver.

category imprint: Differences between sources; Corrections & alterations

issues: EE inaccuracies , Authentic corrections of EE

b. 238

composition: Op. 21, Concerto in F minor, Mvt I

..

In the main text we preserve the cautionary (?) , present in all sources, before aas a proof of the Chopin way of thinking. However, the reason for its introduction is unclear – Chopin may have simply followed an analogy with bars 230 and 236, in which the corresponding semiquaver is a g1, always written with a .  

category imprint: Source & stylistic information

issues: Cautionary accidentals

b. 238

composition: Op. 19, Bolero

 

[] suggested by the editors

..

We suggest adding  for the 1st quaver in the L.H., as it is in analogous bar 92.

category imprint: Differences between sources; Editorial revisions

b. 238

composition: Op. 11, Concerto in E minor, Mvt I

..

GE3 overlooked the tie to d1.

category imprint: Differences between sources

issues: Errors in GE