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b. 237

composition: Op. 22, Polonaise

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In the main text we add cautionary flats before e1 and a1.

category imprint: Editorial revisions

b. 237

composition: Op. 23, Ballade in G minor

Staccato in A (→FE→EE)

No mark in GE
..

The engraver of GE added his oversight at the beginning of this bar to the six staccato dots overlooked by FE. 

category imprint: Differences between sources

issues: Errors in GE

b. 237

composition: Op. 2, Variations, complete

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In GE1 (→FE1,GE2), the  raising b1 to b1 is before the 1st third. Interestingly enough, it is not a common mistake but a wrong revision, since the traces of corrections in print (visible particularly in GE2) reveal that initially the text was printed correctly, with a  before the 3rd semiquaver. In FE2, EE, FESB and GE3, the  was moved to the right place, while in EE another natural was added, a cautionary one to g1 in the 1st third. We include this cautionary accidental also in the main text, hence our text is identical to version of EE.

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: EE revisions , Errors in GE , GE revisions , Authentic corrections of FE , FE revisions , Errors repeated in FE

b. 238

composition: Op. 43, Tarantella

 
 
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In IE f1 in RH is not dotted.  

category imprint: Differences between sources

b. 238

composition: Op. 43, Tarantella

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In EE redundant  was added before g1 in RH.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions