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b. 160-161
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composition: Op. 21, Concerto in F minor, Mvt I
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In the main text we add a cautionary category imprint: Editorial revisions |
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b. 160
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composition: Op. 21, Concerto in F minor, Mvt I
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When interpreted literally, the slurs of A embrace four quavers and coincide with the fifth one. The first is certainly inaccurate: its shape does not indicate an intention of leading it to G. In the case of the second slur, it is already less obvious, yet a comparison with analogous bars (see bar 159) makes us believe that it is also a possible mistake of the composer. The version of the editions is a result of the schematic approach of the engraver of GE1, convinced of, as it seems, the inaccuracy of the notation of A, which was not justified in this bar. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Inaccurate slurs in A |
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b. 160
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composition: Op. 19, Bolero
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We adopt a Chopinesque fingering written in pencil in FES to the main text. The last two digits are also in FEO. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FES , Annotations in FEO |
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b. 160-178
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composition: Op. 11, Concerto in E minor, Mvt I category imprint: |
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b. 160
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composition: Op. 11, Concerto in E minor, Mvt I
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We consider the source version, with the slur that does not go beyond bar 159, to be an inaccuracy – see the note on the previous page. category imprint: Editorial revisions |
before f1 in bar 160 and two flats in bar 161, before A
and b
