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b. 160

composition: Op. 50 No. 3, Mazurka in C♯ minor

..

There is an unjustified  (cautionary?) before the A crotchet in GE. It is difficult to tell whether the accidental was already in [AG], and if not, whether it was added by the reviser or by Chopin.

category imprint: Differences between sources

issues: Cautionary accidentals

b. 160

composition: Op. 50 No. 3, Mazurka in C♯ minor

No mark in AI, GE & EE

in AF

Long accent in FE
..

The mark in AF, in spite of its excessive size, could be considered a long accent if it were not for an even longer mark in analogous b. 168. Due to this reason, in the main text we keep the form of this mark written in AF, which, according to Chopin, could have been supposed to emphasise not only the minim, but also its modulating continuation. The absence of the mark in EE probably means that it was overlooked in the proof copy of FE. Then the long accent printed in the finished FE would be a result of Chopin's proofreading. A similar situation can be found in b. 168.

category imprint: Graphic ambiguousness; Differences between sources

issues: Long accents , Scope of dynamic hairpins

b. 160

composition: Op. 2, Variations, complete

Triad in AsI & A (→GE→EE,FESB)

Sixth in FE
..

As before, in the main text we give a sixth, introduced by Chopin instead of a three-note chord while proofreading FE. In this bar, it is also AsI that provides the alternative L.H. part (featuring the three-note chord of the initial version). In this manuscript, a three-note chord – D-F-B – is also on the 4th quaver; however, F was eventually removed. See also the note in the next bar.

category imprint: Differences between sources; Corrections & alterations; Source & stylistic information

issues: Accompaniment changes , Authentic corrections of FE

b. 160

composition: Op. 49, Fantaisie in F minor

g in A (→GE)

f in FE (→EE)
..

The FE (→EE) version with f as the last quaver in the bar must be a mistake, resulting from the similarity between the alternating figures in bars 160-161.

category imprint: Differences between sources

issues: Errors in FE

b. 160-163

composition: Op. 49, Fantaisie in F minor

Slurs in A (→GE) & EE2

No slurs in FE (→EE1)
..

As in the case of the previous, long slur, Chopin added 8 subsequent, half-bar slurs to A after [FC] had been finished. The EE2 slurs were added after comparing it with GE1.

category imprint: Differences between sources; Corrections & alterations