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b. 144-145

composition: Op. 64 No 2, Waltz in C♯ minor

Slur from 5th quaver in A (→FE→EE,GE1op,GE1no2)

Slur from 6th quaver in GE2op (→GE3op) & GE2no2
..

Shifting the beginning of the slur to the last quaver in bar 144 is a revision of later GE, most probably in analogy to bars 16-17, in which the editions misinterpreted the notation of FE.

category imprint: Differences between sources

issues: GE revisions

b. 144

composition: Op. 21, Concerto in F minor, Mvt I

..

The cautionary naturals before the f1-f2 octave are only in FE (→EE), added most probably by Chopin.

category imprint: Differences between sources

issues: Cautionary accidentals , Authentic corrections of FE

b. 144

composition: Op. 21, Concerto in F minor, Mvt I

Long accent in A

 in GE (→FE→EE)
..

Even if we consider the sign of A to be , the editions reproduced it inaccurately, extending it until the 4th quaver. However, the sign in A is almost certainly a long accent – cf. a sign of the same length on the last crotchet as well as a number of others, e.g. in bars 118-120, 125, 133.

category imprint: Graphic ambiguousness; Differences between sources

issues: Long accents , Inaccuracies in GE

b. 144

composition: Op. 21, Concerto in F minor, Mvt I

Quavers c in A (→GE)

Crotchets in FE (→EE)
..

Both stems extending the c notes were undoubtedly added by Chopin in the proofreading of FE (→EE).

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE

b. 144

composition: Op. 19, Bolero

..

In EE3, a cautionary  next to G was added, poorly justified in this context.

category imprint: Differences between sources

issues: EE revisions