



b. 140
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composition: Op. 23, Ballade in G minor category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , EE inaccuracies |
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b. 140-141
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composition: (Op. 4), Sonata in C minor, Mvt I
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Chopin stopped writing pedal marks probably due to distraction – in analogous bars 124-125 both bars include a full set of category imprint: Differences between sources; Editorial revisions issues: GE revisions , No pedal release mark , Inaccuracies in A |
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b. 140
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composition: (Op. 4), Sonata in C minor, Mvt I
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The longer FE slur is most probably due to the engraver's inaccuracy. category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 140
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A e and a in the L.H. and e1 and a2 in the R.H., the pitch of which is unquestionable due to the harmonic context, are devoid of the necessary accidentals. All the omitted naturals were added in GE (→FE,EE,IE). category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 140
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composition: Op. 12, Variations in B♭ major
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The change of wedges to staccato dots in GE resulted from general revision of this publisher – see the note in bar 7. On the other hand, the dot in EE, in which the wedges printed in FE were generally preserved, was most probably introduced to standardise the L.H. marks in this and the preceding bar. The changes rather cannot be authentic, hence in the main text we keep the FE wedge. category imprint: Differences between sources issues: EE revisions , GE revisions , Wedges |