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b. 139-140
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composition: Op. 42, Waltz in A♭ major
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In GE1 the slur was erroneously led up to the 3rd crotchet, from which the new slur starts simultaneously. A relevant correction was performed already in GE2 (→GE3). category imprint: Differences between sources issues: Errors in GE |
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b. 139
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composition: Op. 38, Ballade in F major
category imprint: Differences between sources issues: Errors in FE , Authentic corrections of FE |
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b. 139
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composition: Op. 26 No 2, Polonaise in E♭ minor
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GE1 overlooked staccato dots next to the first chord in bar 139. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 139-141
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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Three staccato dots in bars 139 and 141 are present only in FE (→EE). Their absence in GC (→GE) may be explained with an inaccuracy of the copyist or their addition in [A] after the copy had been already prepared. In EE the three dots were completed with another two in bar 141, which, according to us, is an arbitrary decision of the engraver, related to the shift of the 1st chord in the R.H. to the top stave. category imprint: Differences between sources |
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b. 139
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composition: Op. 26 No 2, Polonaise in E♭ minor
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As in bars 35-36, the tie sustaining F is most probably an erroneous interpretation of the motivic slur of e-f added by Chopin in the proofreading of FE1. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Placement of markings , GE revisions , Authentic corrections of FE , FE revisions |
