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b. 162
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composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources |
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b. 162
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we suggest holding the bass note, like it was marked by Chopin in analogous bar 518. category imprint: Editorial revisions |
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b. 162
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composition: Op. 11, Concerto in E minor, Mvt I
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The differences in the number and pitch of the notes following the first b1 are discussed in the previous note, together with rhythmic differences. category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , EE revisions , Annotations in FED , Authentic post-publication changes and variants |
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b. 162-165
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composition: Op. 11, Concerto in E minor, Mvt I
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The type of accents used in FE at the beginning of bars 162 and 165 is unclear – both marks are clearly shorter than the undoubtedly long accents on the 3rd beat of these bars; however, they are longer than the accents in, e.g. bars 175-176. We assume that local relationships are of a greater importance and we reproduce the accents as short ones. In GE1 (→GE2), the mark in bar 162 is shorter than the one in bar 165, yet it is still shorter than the accents in the second halves of the bars. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Inaccuracies in GE |
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b. 162
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composition: Op. 11, Concerto in E minor, Mvt I
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Increasing the duration of the bass note only to a crotchet seems to be insufficient – the bass line is led uninterruptedly further until bar 168. In the main text, we replace this probably inaccurate notation with the one Chopin used in analogous bar 521. category imprint: Editorial revisions |
