



b. 126
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composition: Op. 12, Variations in B♭ major
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The wedge over d category imprint: Differences between sources issues: Errors in FE , Errors in EE |
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b. 127
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composition: Op. 29, Impromptu in A♭ major
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In A the fermata overlaps the slur, which probably contributed to the error of the engraver of GE who interpreted it as a staccato dot. We double the fermata in the L.H. analogously to FE and EE. category imprint: Differences between sources; Editorial revisions |
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b. 127-128
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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A (→GE) has triads as the 2nd and the 3rd crotchets of those bars, although in the first triad in bar 127 the note c1 is practically invisible in the manuscript. When proofing FE, Chopin removed the middle notes of the triads leaving only the sixths. That corrected version was repeated in EE1 (→EE2). EE3 returned to the version of GE1 with the full triads (the omitted note b flat on the 2nd beat of bar 128 must be a mistake). category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: EE revisions , Authentic corrections of FE , Uncertain notes on ledger lines |
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b. 127
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The indication written in A as ritenuto was shortened to riten. in GE (→FE→EE). In EE, the abbreviation was placed between the staves. category imprint: Differences between sources issues: EE revisions , GE revisions |
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b. 127
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The accent type that Chopin used in this bar is not obvious. There are more arguments, both graphic and musical, for the long accent option. GE (→FE→EE) all have short accents. category imprint: Differences between sources issues: Long accents |