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b. 156
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composition: Op. 21, Concerto in F minor, Mvt I
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In A Chopin overlooked some of the necessary accidentals: naturals before d, d2 and a. The first and third of these patent inaccuracies were corrected already in GE1 (→FE); the fully correct text is in EE and GE2. In the main text we also add a cautionary category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 156-160
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composition: Op. 21, Concerto in F minor, Mvt I
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The missing staccato dots next to the bass notes in bars 156 and 158-160 are certainly an oversight of the engraver of GE1 (→FE→EE) – the signs in A are very small and sometimes put quite far from the notes. GE2 added dots only in bars 156 and 159. category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 156-157
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composition: Op. 21, Concerto in F minor, Mvt III
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Out of the three forms in which the slur beginning in bar 156 appears in the sources, only the version of A and GE2 is authentic. The whole-bar slur of GE1 (→FE) is a result of the manner of adjusting slurs to metric structures, in this case bars (the slurs in adjacent bars were distorted in a similar way). In EE the moment of the slur's beginning was moved most probably on the basis of comparison with analogous bars. category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE , GE revisions |
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b. 156
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composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources |
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b. 156-158
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composition: Op. 11, Concerto in E minor, Mvt I
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In bars 156 and 158, in GE3, the repeated chords were written in an abbreviated manner as dotted minims with quaver tremolos. There is a similar situation in bar 160, 162 and 171-172. category imprint: Differences between sources issues: GE revisions |
before b
2 at the beginning of the bar.
