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b. 155

composition: Op. 44, Polonaise in F♯ minor

B-a in GE

B in FE (→EE)

..

The missing a note in FE (→EE) is probably an oversight of the copyist or of the engraver.

category imprint: Differences between sources

issues: Errors in FE

b. 155

composition: Op. 44, Polonaise in F♯ minor

..

In FE (→EE1) there are no cautionary accidentals before the 1st R.H. quaver. The inaccuracy was corrected in EE2 (→EE3). The accidentals are also present in GE.

category imprint: Differences between sources

issues: EE revisions , Inaccuracies in FE , EE inaccuracies

b. 155

composition: Op. 23, Ballade in G minor

..

In the entire descending passage, there is not a single accidental in A. FE added only a  to the 6th quaver (c3); the fact that it was only the 1st octave of the passage that was proofread may indicate Chopin as the initiator of the procedure. GE and EE added all the necessary sharps.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , GE revisions , Omission of current key accidentals , Authentic corrections of FE , Inaccuracies in A , Errors repeated in FE

b. 155

composition: Op. 23, Ballade in G minor

L.H. long accent in A

in FE (→EE)

R.H. short accent in GE

..

The typical long accent over the L.H. chord was reproduced by FE (→EE) as a short  hairpin under the R.H. part, correlated with the  in the previous bar. In GE, the mark was distorted to an even greater extent – it was provided with the form of a short accent under e3.

category imprint: Differences between sources

issues: Long accents , Inaccuracies in GE , Inaccuracies in FE

b. 156

composition: Op. 43, Tarantella

..

We add cautionary  before ain the chord on the first beat.

category imprint: Differences between sources; Editorial revisions