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b. 156
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composition: Op. 39, Scherzo in C♯ minor category imprint: Source & stylistic information issues: GE revisions , Errors of GC |
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b. 156-158
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composition: Op. 38, Ballade in F major
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The slur in the R.H. in FE ends in bar 156. It is undoubtedly the editor's revision, as bar 156 opens a new line in FE, while in A it is in the middle of the stave, therefore, an accidental break of the started slur is out of the question. category imprint: Differences between sources issues: FE revisions |
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b. 156
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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At the beginning of the 2nd half of the bar before the bottom note of the second, GC and FE1 (→FE2) have one category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: EE revisions , Errors in FE , Accidentals in different octaves , GE revisions , Authentic corrections of FE , Errors of GC , Authentic corrections of EE |
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b. 156
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The shortcomings in the slurring of this bar are certainly errors. category imprint: Differences between sources issues: Errors in FE , Errors in GE , GE revisions |
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b. 156-158
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composition: Op. 21, Concerto in F minor, Mvt I
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In the main text, we give the slurs in the L.H. in bars 156 and 158 after A. The half-bar slurs of GE1 (spanning 4 and 3 quavers) are a characteristic arbitrary decision of this edition. In the proofreading of FE (→EE), Chopin combined the slurs within the bars, leaving – as probably less striking – an inaccurately marked starting point of the slurs. GE2 corrected the starting point after A, but not the divisions. category imprint: Differences between sources issues: Errors in GE , GE revisions , Authentic corrections of FE |
before each of the notes instead of 
1 appears in the part of the L.H. – was corrected in 
