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b. 146

composition: Op. 23, Ballade in G minor

..

In A, there is no  to the bottom note of the last octave. It was added by FE (→GE,EE).

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , FE revisions , Inaccuracies in A

b. 146-147

composition: Op. 23, Ballade in G minor

in A

Longer  in FE (→GE,EE)
..

In the main text, we keep the approximate range of the  hairpin entered into A. The engravers of Chopinesque first editions would often extend hairpins so that they occupy an entire bar; such a procedure was applied in this case by FE (→GE,EE). The difference, as small as it may be, may suggest an erroneous interpretation, particularly at the end of the bar – it is difficult to assume that Chopin would have wanted the crescendos to go beyond the penultimate, highest quaver. See also b. 148.

category imprint: Differences between sources

issues: Inaccuracies in FE , Scope of dynamic hairpins

b. 146

composition: Op. 2, Variations, complete

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As was the case 8 bars earlier, in AsI there is no  raising e1 to e1. An analogous deficiency is in the L.H. part too, which is marked in an abridged manner as a doubled R.H. part (an octave lower). The notation of A and the editions is correct.

category imprint: Interpretations within context; Differences between sources

issues: Omission of current key accidentals

b. 147-148

composition: Op. 43, Tarantella

 
 
..

In GE the slur beginning in b. 132 extends over to the chord on the first beat in b. 148.

category imprint: Differences between sources

issues: GE revisions

b. 147

composition: Op. 39, Scherzo in C♯ minor

Short accent in EE

Long accent in GC (→GE)

No sign in FE
..

In the main text we give a long accent, following  GC (→GE). In EE the accent mark is short, in FE there is no accent at all.

category imprint: Differences between sources

issues: Long accents