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b. 115

composition: Op. 2, Variations, complete

Quaver & rest in AsI

Crotchet in remaining sources
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category imprint: Differences between sources; Corrections & alterations; Source & stylistic information

issues: Errors of A

b. 115-116

composition: (Op. 4), Sonata in C minor, Mvt I

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In the main text we include the cautionary naturals to c2 and c3 in bar 115 and to d1 and d2 in bar 116, added by GE (→FE,EE,IE).

category imprint: Differences between sources

issues: GE revisions

b. 115-116

composition: (Op. 4), Sonata in C minor, Mvt I

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In A Chopin did not write a few necessary accidentals – a  to the top note of the 6th quaver in bar 115 (d3),  to the top notes of the 2nd and 6th quaver in bar 116 (b2 and a2) and a  to the bottom note of the 7th quaver in bar 116 (f1). The patent inaccuracies were corrected in GE (→FE,EE,IE).

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , GE revisions , Inaccuracies in A

b. 115

composition: (Op. 4), Sonata in C minor, Mvt I

Slur from first quaver in A, literal reading

Slur from 3rd quaver in A, possible contextual interpretation

No slur in GE (→FE,EE,IE)
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In A the slur starts from the 1st quaver in bar 115, yet its initial fragment partly overlaps with the word legato. What is more, one can have the impression that Chopin intentionally added a verbal indication to cover this fragment of the slur. Therefore, it is likely that Chopin wanted to adjust the beginning of the slur to phrasing, which he precisely marked in analogous bar 131, 133 and 135 (as well as in bar 117 and 119, although less carefully). We provide this interpretation in the main text, yet we suggest the literal interpretation as an alternative solution. The absence of the slur in GE (→FE,EE,IE) is due to an oversight by the engraver of GE, who overlooked slurs in the last three bars on the page (bars 115-117).

category imprint: Graphic ambiguousness; Differences between sources

issues: Errors in GE , Inaccuracies in A

b. 115

composition: (Op. 4), Sonata in C minor, Mvt IV

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In the main text we include the cautionary  to c2 added in GE (→FE,EE,IE). By contrast, we omit the  to f1, the 7th quaver in the bottom voice, unnecessarily repeated in A (→GE→IE).

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions , Cautionary accidentals , FE revisions