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b. 144
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composition: Op. 26 No 2, Polonaise in E♭ minor
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At the beginning of the bar in A (→FE→GE1,EE1) there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in EE , Errors in GE , GE revisions , Omission of current key accidentals , Errors of A , Last key signature sign |
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b. 144-145
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composition: Op. 64 No 2, Waltz in C♯ minor
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Shifting the beginning of the slur to the last quaver in bar 144 is a revision of later GE, most probably in analogy to bars 16-17, in which the editions misinterpreted the notation of FE. category imprint: Differences between sources issues: GE revisions |
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b. 144
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composition: Op. 21, Concerto in F minor, Mvt I
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The cautionary naturals before the f1-f2 octave are only in FE (→EE), added most probably by Chopin. category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of FE |
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b. 144
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composition: Op. 21, Concerto in F minor, Mvt I
..
Even if we consider the sign of A to be category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Inaccuracies in GE |
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b. 144
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composition: Op. 21, Concerto in F minor, Mvt I
..
Both stems extending the c notes were undoubtedly added by Chopin in the proofreading of FE (→EE). category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
raising c
to c. The mistake was corrected in 
in 
