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b. 114-116

composition: Op. 21, Concerto in F minor, Mvt III

..

In the main text we add cautionary naturals before fin bars 114 and 116.

category imprint: Editorial revisions

b. 114

composition: Op. 11, Concerto in E minor, Mvt II

Fingering written into FES

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES

b. 114-115

composition: Op. 11, Concerto in E minor, Mvt II

No  in sources

() suggested by the editors

..

The missing  mark in bar 114 may be a mistake, since it is the last bar on a page in FE, which favours such inaccuracies. On the other hand, from the harmonic point of view, change of pedal is superfluous in this place, hence it cannot be excluded that it is the  mark at the beginning of bar 115 that was unnecessarily added. In the main text, we leave this issue to the performer's discretion. 

category imprint: Editorial revisions

issues: Inaccuracies in FE , No pedal release mark

b. 114

composition: Op. 11, Concerto in E minor, Mvt III

No slurs in FE (→EE,GE1GE2)

2 slurs in GE3

..

The slurs of GE3 are an arbitrary addition of the revision, most probably under the influence of the slurs combining the next pair of quavers.

category imprint: Differences between sources

issues: GE revisions

b. 114-115

composition: Op. 38, Ballade in F major

Slur to A1-A in A (→FE,EE)

Slur to B1-B in GC (→GE)

..

The shorter slur in GC (→GE) is almost certainly a consequence of the copyist's negligence.

category imprint: Differences between sources

issues: Inaccuracies in GC