mUltimate Chopin

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b. 114-121

composition: Op. 25 No 5, Etude in E minor

Short accents in FC (→GE), FE & EE

Long accents suggested by the editors
..

In the main text, we suggest long accents, due to a possibility of an inaccurate interpretation of [A].

category imprint: Interpretations within context; Editorial revisions

issues: Long accents

b. 114-122

composition: Op. 64 No 2, Waltz in C♯ minor

Triads in As

Triads & sixths in AI

Sixths in A (→FE→GE,EE)
..

The issue of presence of the c1 notes in the 2nd and 3rd crotchets in bars 114 and 122 – see bars 50-58. 

category imprint: Differences between sources; Corrections & alterations

b. 114-115

composition: Op. 64 No 2, Waltz in C♯ minor

Slur up to bar 114 in AI

Slur up to bar 118 in A (→FE→EE,GE1no2,GE1op→GE2op→GE3op)

Slur up to bar 128 in GE2no2
..

category imprint: Differences between sources

b. 114

composition: Op. 21, Concerto in F minor, Mvt I

..

In A (→GE) a  is missing before the 8th semiquaver in the L.H. (d1). In turn, Chopin repeated a  before b1 in the L.H. at the end of the bar. FE removed the second sign, yet did not add the first one. EE includes the fully correct notation.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , Cautionary accidentals , FE revisions

b. 114-116

composition: Op. 21, Concerto in F minor, Mvt III

Long accents in A (→GE→FE)

Short accents in EE
..

The long accents in bars 114 and 116, perfectly reproduced in GE, are not equally legible in FE, although the difference with respect to the short accents in bar 118 is clear. In EE they were considered common, short accents.

category imprint: Graphic ambiguousness; Differences between sources

issues: Long accents , Inaccuracies in FE , EE inaccuracies