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b. 143
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composition: WN 29, Waltz in E minor
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The notation of PE1 (→PE2), which is devoid of the 1st beat of the bar on the top stave, although formally inaccurate, could be authentic, since Chopin would often omit rests specifying the voice scheme or filling the bar in quasi-polyphonic notation (e.g. in the R.H. in bars 117-119). Therefore, in the main text we leave it unchanged, since it seems unlikely that it could mislead the performers. In GE the bar on the top stave was completed by replacing 2 crotchet rests with a semibreve rest. An interesting yet rather unfortunate attempt at correcting the initial version of notation was made in PE3 by adding an additional stem to the bottom note of the octave, E1. This addition was removed in PE4, thus restoring the version of PE1. category imprint: Differences between sources issues: GE revisions , Inaccuracies in PE , |
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b. 144
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composition: Op. 43, Tarantella category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Inaccuracies in GE |
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b. 144
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In A (→GE1→FE) there are no naturals raising d flat-d flat1 to d-d1. This obvious omission on the part of Chopin was corrected in EE and GE2 (→GE3). category imprint: Differences between sources |
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b. 144
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composition: Op. 38, Ballade in F major
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In A (→GC,FE) the category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Errors of GC , Errors repeated in FE |
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b. 144
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composition: Op. 26 No 2, Polonaise in E♭ minor
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GE2 (→GE3→GE4) arbitrarily changed category imprint: Differences between sources; Editorial revisions issues: GE revisions |
1 in RH in not dotted.
before this sound.
raising c2 to c
2 is only written before the 8th semiquaver. The accidental before the 2nd semiquaver was added in 
to .png)
. See the