b. 141
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composition: Op. 23, Ballade in G minor
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As was described in b. 140, the slur of A (→FE→EE) clearly continues the slur from the preceding bar, which, due to the vague position of the ending of the slur of FE in b. 140, was not included by GE. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 141
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composition: Op. 23, Ballade in G minor
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In the available photograph of A, the slur reaches only b1, which seems to emphasise the meaning of the voice separated by the additional crotchet stems. As it may be an inaccuracy of notation or even an effect related merely to the quality of the photo, not exactly the best (cf. the slur in b. 138 that is certainly supposed to reach the end of the bar), in the main text we give the version of FE (→GE,EE). category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE , Inaccurate slurs in A |
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b. 141
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composition: Op. 23, Ballade in G minor
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The accent was overlooked probably due to an oversight by the engraver of FE (→GE,EE), which Chopin possibly did not notice while proofreading FE. category imprint: Differences between sources; Editorial revisions issues: Errors in FE |
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b. 141-146
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composition: Op. 2, Variations, complete
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As was the case 4 or 8 bars earlier, in AsI there are no accidentals restoring c2 and b1 at the end of b. 141 and c1 and b at the end of b. 145. Analogous deficiencies are to be found in the L.H. part too, which is marked in an abridged manner as a doubled R.H. part (an octave lower). The notation of A and the sources is correct. category imprint: Interpretations within context; Differences between sources; Corrections & alterations; Source & stylistic information issues: Omissions to cancel alteration , Omission of current key accidentals |
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b. 142
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composition: Op. 43, Tarantella category imprint: Differences between sources; Editorial revisions issues: Cautionary accidentals |