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b. 141
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composition: Op. 19, Bolero
category imprint: Differences between sources |
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b. 141
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE (→EE1), the dots prolonging the E-B minim were overlooked. The patent mistake was corrected in GE and EE2 (→EE3). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Rhythmic errors , Errors repeated in EE |
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b. 141
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composition: Op. 11, Concerto in E minor, Mvt I
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All four sources featuring the fingering most probably describe the same finger arrangement. Out of the two digits written in FEH, only the latter, according to us, can be attributed to Chopin's hand. In the main text, we give the fingering written by Chopin in FED (certainly) and FEH (probably). category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Annotations in FEH , Annotations in FEFo |
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b. 141-142
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composition: Op. 11, Concerto in E minor, Mvt III
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The missing staccato marks for three bass notes must be considered an inaccuracy (of the engraver or of Chopin). In the main text, we add wedges – see the note on bars 137-140. Omission of the mark in bar 142 in GE3 is most probably related to the mistake of GE1 (→GE2) in bar 138. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 141
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composition: Op. 11, Concerto in E minor, Mvt III
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The missing wedge in this place certainly does not indicate a performance change with respect to analogous bar 137; therefore, in the main text we include the wedge added in GE3. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
