Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 39, Scherzo in C♯ minor
GC has the staccato dot in the R,H. only, which may be simply an oversight. On the other hand, the sign in the L.H. was added in GE, based on GC, so it cannot be ruled out that similar revisions were also made in EE and FE. From the point of view of the performer, both manners of notation are equivalent in that context, therefore we adopt the version that is found is most sources.
Compare the passage in the sources »
category imprint: Differences between sources
notation: Articulation, Accents, Hairpins
