|
b. 112
|
composition: Op. 50 No. 3, Mazurka in C♯ minor
..
The lack of both markings – a slur and a staccato dot – is undoubtedly Chopin's oversight in AF (→FE→EE). category imprint: Differences between sources issues: Inaccuracies in A |
|||||
|
b. 112
|
composition: Op. 44, Polonaise in F♯ minor
..
The staccato dots added in GE2 under three L.H. quavers are an arbitrary revision of the publisher. The absence of a respective addition under the last quaver in the preceding bar is not accidental, since in this entire section (to b. 124) dots were added only in every other bar. category imprint: Differences between sources issues: GE revisions |
|||||
|
b. 112
|
composition: Op. 44, Polonaise in F♯ minor
..
In the main text we add cautionary naturals to d and d2. We also add a dispensable category imprint: Differences between sources; Editorial revisions issues: EE revisions |
|||||
|
b. 112
|
composition: Op. 23, Ballade in G minor
..
FE (→GE) overlooked the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors repeated in GE |
|||||
|
b. 112
|
composition: Op. 23, Ballade in G minor
..
The change to the rhythmic value of a1, from crotchet to minim, could have been introduced by the reviser to fill the 1st half of the bar in the bottom-most voice. Due to the same reason, he should have also prolonged the c category imprint: Differences between sources issues: Authentic corrections of FE , FE revisions |
to f, in compliance with the notation used by Chopin in analogous b. 88; the accidental was also added in 
to the top note of the 1st R.H. chord (c
3). The mistake was corrected in 
