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b. 7-15
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composition: Op. 10 No 11, Etude in E♭ major
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Not being certain whether the missing cresc. indication in bars 7 and 15 in the editions corresponds to Chopin's intention, we suggest a variant solution in the main text. category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 7-15
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composition: Op. 10 No 11, Etude in E♭ major
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We add cautionary flats before the 2nd chord in bars 7 and 15 and a category imprint: Editorial revisions |
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b. 7
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composition: Op. 10 No 5, Etude in G♭ major
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A comparison with similar bar 15 suggests that the lack of pedalling in this bar may be a result of an oversight. Such a conclusion was already reached by the reviser of EE3 (→EE4). category imprint: Editorial revisions |
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b. 7
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composition: Op. 10 No 5, Etude in G♭ major
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The fingering written by Chopin in A (two '1's) was completed by him in a proofreading of FE (→GE,EE). In the main text we also consider the authentic entry in FED. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Authentic corrections of FE |
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b. 7
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composition: Op. 10 No 5, Etude in G♭ major
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EE2 does not have the accent added in EE3 (→EE4) together with staccato dots under the quavers (probably by analogy with bar 15). In GE a short accent was applied and moved over the crotchet. In the main text we preserve the notation of A (→FE). category imprint: Differences between sources issues: Long accents , EE revisions , Placement of markings , Errors in EE , GE revisions |
before d2 in bar 17.
