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b. 122-124
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composition: Op. 29, Impromptu in A♭ major
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In A the dashes determining the range of calando reach the middle of bar 125. In GE the indication ends slightly earlier, including bar 124. EE presents another version, in which calando was replaced with the indication smorz. (=smorzando), written only at the end of bar 124. It is very likely that the indication is authentic and comes from the lost base text to EE. In FE the indication in this place was not considered at all. category imprint: Differences between sources |
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b. 122
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composition: Op. 43, Tarantella
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In A augmentation dots and a rest on the first beat in RH must have been omitted. This variant was repeted in GE1 (→GE2→GE3). Moreover, in these sources as well as FC3 (→FE→IE) there is redundant category imprint: Differences between sources issues: Cautionary accidentals , Rhythmic errors , Errors of A |
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b. 122
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composition: Op. 43, Tarantella
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In A, GE1 (→GE2→GE3) crotchets on the second beat in RH are not dotted. Compare annotation in b. 4. category imprint: Differences between sources |
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b. 122
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composition: Op. 43, Tarantella
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In all sources except A the note h in LH is just a quaver. Based on A we present the version with a crotchet stem and an augmentation dot. category imprint: Differences between sources issues: Inaccuracies in FC |
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b. 122
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composition: Op. 39, Scherzo in C♯ minor
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Missing in GC and FE are the naturals cancelling the sharping of e to e sharp before the last crotchet of the bar, which is an obvious error. EE and GE have the correct version, consistent with the analogous bars 40 and 382. category imprint: Differences between sources issues: Errors in FE , Errors of GC |
before d
1. Compare annotation in 
