Issues : Omission of current key accidentals
|
b. 35
|
composition: Op. 25 No 10, Etude in B minor category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Omission of current key accidentals , Errors of GC |
||||||
|
b. 36
|
composition: Op. 27 No 2, Nocturne in D♭ major
..
A has no category imprint: Differences between sources issues: GE revisions , Omission of current key accidentals , Authentic corrections of GE |
||||||
|
b. 36
|
composition: Op. 27 No 2, Nocturne in D♭ major
..
In A (→GE1) there are no naturals raising e flat to e and E flat to E. The accidentals were supplemented in the proofing of FE (→EE), yet the first one was mistakenly placed before the 6th note. GE2 has the correct text. category imprint: Interpretations within context; Differences between sources issues: GE revisions , Omission of current key accidentals , Authentic corrections of FE |
||||||
|
b. 36
|
composition: Op. 45, Prelude in C♯ minor
..
Lack of flats in front of two last quavers is a patent inaccuracy of FE1, corrected in FE2. GE also has a correct text. A suitable addition was also introduced to EE, in which, however, the pitch of the fourth quaver was changed from c category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , Omission of current key accidentals , FE revisions |
||||||
|
b. 36-37
|
composition: Op. 26 No 1, Polonaise in C♯ minor
..
In bar 36 in A there are no accidentals, which is certainly Chopin's mistake – cf. analogous bar 11. The necessary accidentals were added in the proofreading of FE (→GE,EE), together with the cautionary sharps in bar 37. category imprint: Interpretations within context; Differences between sources issues: Cautionary accidentals , Omission of current key accidentals , Errors of A , Authentic corrections of FE |
raising e1 to e
1. The patent inaccuracy was corrected in 
raising a flat1 to a1. The mistake was already corrected in 
2 to c2, as well as of the sixth one - from f