Issues : Omission of current key accidentals

b. 34

composition: Op. 44, Polonaise in F♯ minor

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There is no  over  in the sources, which is a patent inaccuracy, certainly repeated after [A]. The same applies to analogous b. 60 and 293.

category imprint: Interpretations within context

issues: Omission of current key accidentals

b. 35

composition: Op. 27 No 2, Nocturne in D♭ major

No accidental before the 3rd semiquaver of the triplet in A (→GE1FEEE)

 raising f2 to  sharp2 in GE2

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The version with f2 is possible both from the harmonic and the melodic point of view. However, it seems much more probable that Chopin omitted the  by mistake, as a temporary A major is the key in force in this four bar section.

category imprint: Interpretations within context; Differences between sources

issues: GE revisions , Omission of current key accidentals

b. 35

composition: Op. 27 No 2, Nocturne in D♭ major

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Before the penultimate semiquaver in  A (→GE1) the  raising b flat1 to b1 is missing.  This obvious mistake was corrected in FE (→EE) and GE2.

category imprint: Interpretations within context; Differences between sources

issues: GE revisions , Omission of current key accidentals , Authentic corrections of FE

b. 35

composition: Op. 27 No 2, Nocturne in D♭ major

..

Missing before the penultimate semiquaver in A (→GE1FEEE)  is the   raising d flat1 to d1. This obvious oversight was corrected in GE2.

category imprint: Interpretations within context; Differences between sources

issues: GE revisions , Omission of current key accidentals

b. 35

composition: Op. 10 No 12, Etude in C minor

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In A there are no flats on the 2nd beat in the bar, which is certainly a mistake (cf. two previous bars). Both necessary accidentals were added in a proofreading of FE (→GE,EE).

category imprint: Interpretations within context; Differences between sources

issues: Omissions to cancel alteration , Omission of current key accidentals , Authentic corrections of FE