b. 6
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composition: Op. 28 No. 13, Prelude in F♯ major
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The missing pedalling markings are one of a few oversights of the copyist in this Prelude. category imprint: Differences between sources issues: Errors of FC |
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b. 6
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composition: Op. 28 No. 13, Prelude in F♯ major
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The restoring g in the 2nd half of the bar is absent in all the sources. It is one of Chopin's most common mistakes. The g note is so obvious that EE did not notice the mistake in spite of the cautionary having been added before g1 in the 2nd R.H. chord. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omissions to cancel alteration , Errors of A , Errors repeated in FE , Errors repeated in EE |
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b. 6-7
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composition: Op. 28 No. 16, Prelude in B♭ minor
category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FESch |
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b. 6-14
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composition: Op. 28 No. 17, Prelude in A♭ major
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In A all accents in b. 6, 8 and 14 are clearly long, which, however, was misunderstood both in FC (→GE) and FE (→EE). category imprint: Differences between sources issues: Long accents , Inaccuracies in FE , Inaccuracies in FC |
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b. 6
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composition: Op. 28 No. 14, Prelude in E♭ minor
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Before the R.H. penultimate quaver Chopin wrote in A a cautionary which he crossed out after having checked it was not essential. This proves the intended pitch to be c-c1 here. Therefore, the EE version is arbitrary – the reviser repeated here his amendment from the previous bar where he added (rightly there) naturals rising c-c1 to c-c1. We add cautionary flats in the main text here as GE2 already has done. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Errors in EE , GE revisions , Cautionary accidentals , Deletions in A |