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b. 6
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composition: Op. 28 No. 21, Prelude in B♭ major
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The crossing-out in A reveals the initial version of the beginning of this bar: category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Main-line changes |
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b. 6-7
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composition: Op. 28 No. 21, Prelude in B♭ major
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In A the end of the L.H. slur in b. 6, which closes the line, clearly points to continuation, which is, however, absent in b. 7. In this case, it did not result in discrepancies in the remaining sources, since both FE (→EE) and FC (→GE) led the slur to the beginning of b. 7, undoubtedly in accordance with Chopin's intention. category imprint: Graphic ambiguousness; Source & stylistic information |
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b. 6
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composition: Op. 28 No. 21, Prelude in B♭ major
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In A (→FE,FC→GE) there is a category imprint: Differences between sources; Editorial revisions issues: EE revisions , Cautionary accidentals |
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b. 6-10
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composition: Op. 28 No. 20, Prelude in C minor
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In the main text we add cautionary naturals before the F-f octave in b. 6 and 10. category imprint: Editorial revisions |
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b. 6
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composition: Op. 28 No. 13, Prelude in F♯ major
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The longer chord in the 2nd half of the bar must be Fontana's mistake. category imprint: Differences between sources issues: Errors of FC |
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before the d2 crotchet. In the main text we omit the accidental, which was also performed in 
1 and g
