



b. 4
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composition: Op. 28 No. 4, Prelude in E minor
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In As the category imprint: Graphic ambiguousness; Source & stylistic information issues: Accidental below/above the note |
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b. 4
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composition: Op. 28 No. 5, Prelude in D major
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In FC (→GE1) the b1-a1 semiquavers are not separated as quavers. The patent mistake of the copyist was corrected in GE2 (→GE3). See also b. 36. category imprint: Differences between sources issues: GE revisions , Errors of FC , Errors repeated in GE |
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b. 4
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composition: Op. 28 No. 8, Prelude in F♯ minor
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When interpreted literally, the version of A (→FC→GE1), in which the 4th demisemiquaver on the last beat of the bar is an a category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , GE revisions , Errors of A , FE revisions |
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b. 4-5
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composition: Op. 28 No. 9, Prelude in E major
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The slurs in A are clearly divided, hence it is unclear what confused the engraver of FE (→EE) and made him not take into consideration that division. The slurring of FC is obscure – the slur in b. 4, at the end of the line, does not suggest a continuation, yet the slur at the beginning of b. 5 clearly does. Consequently, it is also GE that feature a continuous slur here. category imprint: Differences between sources issues: Errors in FE , Inaccuracies in FC |
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b. 4
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composition: Op. 28 No. 9, Prelude in E major
category imprint: Differences between sources |