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p. 1, b. 1-39
p. 1, b. 1-39
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1a
EE1a - Corrected impression of EE1
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
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EE1 - First English edition
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EE1a - Corrected impression of EE1
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  b. 36

Quavers in A & GE2 (→GE3)

No quavers in FC (→GE1) & FE (→EE)

Just like in b. 34-35, Chopin changed the pitch of the 2nd and 4th notes in A from g1-f1 to b1-a1. In this case, however, the crossing-out of both noteheads also includes the stems (pointing downwards) of the separated quaver voice, which resulted in it having been overlooked both in FC (→GE1) and FE (→EE). Assuming a mistake, GE2 (→GE3) separated both notes after the previous bars.

Compare the passage in the sources »

category imprint: Differences between sources; Source & stylistic information

issues: Corrections in A, Errors resulting from corrections, GE revisions, Deletions in A

notation: Rhythm

Missing markers on sources: A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, EE1a