mUltimate Chopin

Text Compare Notes Sources Description

Issues : Omission of current key accidentals

Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

b. 26

composition: Op. 35, Sonata in B♭ minor, Mvt III

..

Same as in bar 18, in GC (→GE1) and FE there is no  raising g2 to g2.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , Errors in GE , GE revisions , Omission of current key accidentals

b. 26

composition: Op. 28 No. 17, Prelude in A♭ major

..

On the last quaver in A (→FC→GE1) there are no accidentals before the middle notes of the chords in both hands – a  before b1 and a  before d2. The patent inaccuracies were corrected in FE (only the ) and EE (both). In turn, in GE2 (→GE3) naturals were wrongly added before both notes.
(NB: both correct accidentals are present in FCI.) 

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , FE revisions , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE

b. 27

composition: Op. 43, Tarantella

..

In A and GE1 (→GE2→GE3) there is no  lowering g to g in the LH part.

category imprint: Interpretations within context; Differences between sources

issues: Omission of current key accidentals

b. 27

composition: Op. 10 No 12, Etude in C minor

..

In A there is no  raising a2 to a2. This patent error was corrected in FE (→GE,EE).

category imprint: Differences between sources

issues: Omission of current key accidentals , Errors of A

b. 27-30

composition: Op. 25 No 11, Etude in A minor

..

In the passages including a few octaves, there are no accidentals in the sources, which, however, does not raise doubts concerning the text intended by Chopin.

In GC there are no sharps needed in the notation of f1, f2 in bar 27, f, f1, f2 in bar 28, f2, f1 (L.H.), c1 in bar 29 and f, d2 in bar 30.
In FE the same signs apart from the sharps before f1 in bar 27 and f1 (L.H.) in bar 29 were omitted; moreover, the  raising d2 to d2 in bar 29 was overlooked.
GE1 completed the signs overlooked in GC except for the  raising f1 to f1 in the L.H. in bar 29.
In the remaining editions – EE and GE2 (→GE3) – all necessary signs were added.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals , Errors of GC