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Issues : Omission of current key accidentals
b. 29
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composition: Op. 10 No 12, Etude in C minor
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In A (→FE→EE) there is no natural raising the 14th semiquaver in the bar (from b category imprint: Differences between sources |
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b. 29
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composition: Op. 10 No 6, Etude in E♭ minor
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In A and the editions – except for one – there are no naturals before the 1st octave in this bar (nor a cautionary category imprint: Differences between sources issues: GE revisions , Omission of current key accidentals , Last key signature sign |
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b. 29
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composition: Op. 10 No 4, Etude in C♯ minor
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The fact that Chopin heard the E minor key in this bar (and subsequent) is revealed by the lack of category imprint: Interpretations within context; Differences between sources |
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b. 29-30
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The notation of accidentals in this passage is inaccurate in the sources, which, however, does not impede the interpretation of the correct text. In GC and previous FE, eight sharps are missing – before f category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in GE , Inaccuracies in FE , GE revisions , Omission of current key accidentals , EE inaccuracies , FE revisions , Inaccuracies in GC |
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b. 30
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composition: Op. 10 No 12, Etude in C minor
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In A (→FE→EE) there are no flats before the 8th and 16th notes in the L.H. This patent inaccuracy was corrected in GE. category imprint: Differences between sources issues: Accidentals in different octaves , Omission of current key accidentals |