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Issues : Long accents
b. 646
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composition: Op. 11, Concerto in E minor, Mvt I
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A comparison with dynamic markings of analogous bars 648-650 leads to the conclusion that the short accent over the chord in the L.H. probably reproduces Chopin's intention inaccurately. Therefore, in the main text we suggest an averaged mark in terms of both its size and assignment to one or both hands. category imprint: Editorial revisions issues: Long accents , Placement of markings |
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b. 648
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composition: Op. 11, Concerto in E minor, Mvt I
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According to us, the placement of the category imprint: Differences between sources; Editorial revisions issues: Long accents , Placement of markings , GE revisions , EE inaccuracies |
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b. 649
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composition: Op. 11, Concerto in E minor, Mvt I
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As a result of comparison of the indications of FE in bar 646 and 648-650, we interpret the mark in this bar as a long accent, referring to both hands. The absence of the mark in GE is most probably an oversight of the engraver. category imprint: Differences between sources; Editorial revisions issues: Long accents , Placement of markings , Errors in GE |
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b. 650
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composition: Op. 11, Concerto in E minor, Mvt I
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As a result of comparison of the indications of FE in bar 646 and 648-650, we interpret the category imprint: Differences between sources; Editorial revisions issues: Long accents , Placement of markings , GE revisions |
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b. 776-778
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composition: Op. 31, Scherzo in B♭ minor
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The accents in b. 776 and 778 in A are clearly longer than the 3 previous ones, which was not reproduced in EE and GE. Moreover, EE in b. 778 and GE2 (→GE3) in both bars assigned separate accents to each of the hands. category imprint: Differences between sources issues: Long accents , EE revisions , Inaccuracies in GE , GE revisions , EE inaccuracies |