



b. 3
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composition: Op. 10 No 4, Etude in C♯ minor
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It is hard to determine whether the slurs were already in [A] or whether they were added in a proofreading of FE (→GE,EE). Anyway, the slurs of unquestioned authenticity in this first out of a few similar places – also bars 11, 53 and 61 – may be easily considered as valid also in the remaining ones, devoid of slurring. category imprint: Differences between sources |
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b. 3
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composition: Op. 25 No 1, Etude in A♭ major
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Chopin added the dynamic indication in this bar only at the time of preparing the Etude for print. Initially, he provided the f2 note with an accent (as in bar 2), yet eventually he chose a pair of category imprint: Differences between sources; Corrections & alterations issues: Inaccuracies in GE , Deletions in A |
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b. 3
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composition: Op. 25 No 1, Etude in A♭ major
category imprint: Differences between sources |
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b. 3
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composition: Op. 26 No 2, Polonaise in E♭ minor
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It is not certain if category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 3
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composition: Op. 25 No 2, Etude in F minor
category imprint: Differences between sources |