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b. 3
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composition: Op. 35, Sonata in B♭ minor, Mvt IV
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The fingering, added in pencil, most probably by Miss O'Méara, could have been indicated to her by Chopin. Similarly in the L.H. and in bars 4-5. category imprint: Differences between sources |
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b. 3
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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GC (→GE1) includes an erroneous F instead of G category imprint: Interpretations within context; Differences between sources issues: Errors in GE , GE revisions , Errors of GC |
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b. 3-19
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composition: Op. 64 No 2, Waltz in C♯ minor
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In the main text we add a cautionary category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 3-24
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composition: Op. 64 No 2, Waltz in C♯ minor
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On the 2nd beat in bars 3-4, 7-8, 19-20 and 23-24 As has two quavers in the R.H. In bars 3-4 and 7-8 the rhythm was probably written initially in AI too, Chopin, however, added there rests and semiquaver ties of the final version (it is proved by spaces between the notes). category imprint: Differences between sources; Corrections & alterations issues: Corrections of AI |
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b. 3
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composition: Op. 21, Concerto in F minor, Mvt II
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In the main text we add cautionary flats before the b category imprint: Editorial revisions |
in the last chord in the L.H. The unquestionable in this context mistake was corrected in 
before f
1 in bar 3 and 19. In 
