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b. 2
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composition: Op. 63 No. 1, Mazurka in B major
category imprint: Differences between sources; Corrections & alterations issues: Dotted or even rhythm |
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b. 2-3
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composition: Op. 63 No. 1, Mazurka in B major
category imprint: Differences between sources; Corrections & alterations |
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b. 2-5
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composition: Op. 63 No. 1, Mazurka in B major
category imprint: Differences between sources; Corrections & alterations |
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b. 2-17
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composition: Op. 49, Fantaisie in F minor
..
In bars 2-3, 12-13 and 16-17, in the main text we include the unanimous pedalling added by Chopin to A (→GE) and added at the stage of proofreading FE2 (→EE). The fact that the markings were added to A most probably after [FC] had already been prepared is proven by their absence in FE1. category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 2-7
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composition: (Op. 4), Sonata in C minor, Mvt I
..
In EE the Sonata was edited by Brinley Richards; among others, he developed the fingering. We do not include his fingering version in the main text, as it is obviously inauthentic, while in the EE transcriptions we reproduce it using a smaller font in italics, reserved for fingering digits added by editors. In some places, e.g. in bar 131, 184, 224, the fingering was complemented or changed in EE2. category imprint: Differences between sources issues: EE revisions |
quaver in 
in 
& 2 > in 
