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b. 3
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composition: Op. 24 No. 1, Mazurka in G minor
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The slur of A clearly has a phrasing function and relates to whole chords, also the progression of the upper voice g1-a1. Relocating it to the side of the note heads, which was one of routine operations performed by engravers, completely changed the sense of that marking. category imprint: Differences between sources issues: Placement of markings , Errors in GE |
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b. 3-4
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composition: Op. 24 No. 1, Mazurka in G minor
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In EE, the upper slur in those bars was omitted, probably by mistake. category imprint: Differences between sources issues: Errors in EE |
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b. 3
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composition: Op. 24 No. 1, Mazurka in G minor
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In GE2 (→GE3) a cautionary category imprint: Differences between sources issues: GE revisions , Cautionary accidentals |
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b. 3-4
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composition: Op. 24 No. 1, Mazurka in G minor
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Visible in A is the erased original version of the accompaniment, in which both bars had G crotchet with a staccato dot falling on the 1st beat. Both bars also had pedalling analogous to the pedalling preserved in adjoining bars. The notation before the change was as follows:
category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Accompaniment changes |
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b. 3
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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A category imprint: Editorial revisions; Source & stylistic information issues: Errors of A , Last key signature sign |
was added before a1 on the last chord. That unjustified revision was probably done to imitate Chopin's signs in analogous bars 
1 to g1 is missing from all the sources. The use of g1 between f
1 and g