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b. 49

composition: Op. 2, Variations, complete

..

In A there is no  raising e2 to e2 at the beginning of the 5th semiquaver triplet. The accidental was added in GE (→FE,EE). On the 4th beat of the bar, there are no accidentals in the sources, which, however, cannot be considered a mistake in this piece – cf. b. 39-40.

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , GE revisions , Inaccuracies in A

b. 49-50

composition: Op. 2, Variations, complete

Pedalling in A (→GEEE,FESB)

No pedal in FE, contextual interpretation

..

In FE the  mark was probably overlooked. In b. 50, on the next page, the corresponding  mark was reproduced correctly, which, however, is not enough for us to guess the authentic pedalling, since there are a few places in which the overlooked  mark could be placed. Due to the above, we treat the text of FE as not including pedalling markings in these bars.

category imprint: Differences between sources

issues: Errors in FE

b. 49

composition: Op. 2, Variations, complete

Minim in AsI

Crotchet in A (→GEFE,EE,FESB)

category imprint: Differences between sources; Corrections & alterations

issues: Accompaniment changes

b. 49

composition: Op. 2, Variations, complete

Long accent in A (→GE)

Short accent in FE (,EE & FESB

category imprint: Differences between sources

issues: Long accents , Inaccuracies in FE , EE inaccuracies , Inaccuracies in FESB

b. 49-50

composition: Op. 2, Variations, complete

Longer  in A (→GEEE)

signs in FE & FESB

category imprint: Differences between sources

issues: FE revisions , Hairpins denoting continuation , Revisions in FESB