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b. 45-52
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composition: Op. 2, Variations, complete category imprint: Differences between sources; Source & stylistic information issues: Abbreviated octaves' notation |
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b. 45-54
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composition: Op. 2, Variations, complete category imprint: Differences between sources; Source & stylistic information |
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b. 45-46
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composition: Op. 2, Variations, complete category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , EE inaccuracies , Inaccuracies in FESB |
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b. 45-46
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composition: Op. 2, Variations, complete
category imprint: Differences between sources; Corrections & alterations issues: Bass register changes |
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b. 46
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composition: Op. 2, Variations, complete
..
According to us, the ending of the slur of A is inaccurate – Chopin did not lead the slur to the last semiquaver to keep the manuscript readable. The slur must concern the R.H. bottom voice, filled with semiquaver triplets, and is supposed to encompass the entire bar, as it was unequivocally marked in b. 45. This is the interpretation we give in the main text. In GE1 and the remaining editions, except GE3, the slur starts from the 2nd triplet, which is an inaccuracy caused by the 1st triplet having been placed on the bottom stave. FE and EE considered the ending of the slur (in GE1 (→GE2) accurately reflecting the notation of A) carelessly engraved, hence it was shortened. The range of the slur of GE3 is correct on both ends, yet the slur also encompasses the R.H. top voice (like the slurs in the remaining editions), which was clearly omitted by Chopin in A. category imprint: Graphic ambiguousness; Differences between sources issues: EE revisions , Inaccurate slurs in A , GE revisions , FE revisions |
