b. 292-293
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composition: Op. 2, Variations, complete
..
As previously, in GE (→FE,EE) the staccato markings were standardised by replacing the dots with wedges. It must be an arbitrary decision of the publisher. category imprint: Differences between sources issues: Inaccuracies in GE , Wedges |
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b. 294
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composition: Op. 2, Variations, complete
..
As in the previous bars, in GE (→FE,EE) the Chopinesque staccato dots were replaced with wedges, thus unifying the markings, carefully differentiated by the composer. category imprint: Differences between sources issues: Inaccuracies in GE , Wedges |
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b. 294
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composition: Op. 2, Variations, complete
..
The absence of c1 in the last chord is most probably an oversight by the engraver of GE (→FE,EE) caused by the notation of A, which is not entirely clear. The presence of this note in AsI, however, is a strong argument for a similar interpretation of the notation of A. category imprint: Graphic ambiguousness; Differences between sources issues: Errors in GE , Uncertain notes on ledger lines , Inaccuracies in A |
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b. 295
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composition: Op. 2, Variations, complete
..
The term staccato is already in AsI, added in pencil. It is placed slightly earlier than the indication in A, from the beginning of the bar, which is probably related to the arpeggio starting from the 2nd semiquaver (without a rest) – see the note below. category imprint: Source & stylistic information |
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b. 295
|
composition: Op. 2, Variations, complete
category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Main-line changes |