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Issues : GE revisions
b. 164-165
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composition: Op. 23, Ballade in G minor
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In these bars, there are no flats to a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in FE |
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b. 170
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composition: Op. 23, Ballade in G minor
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In A (→FE), the b category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE , Errors in EE , Errors in GE , GE revisions |
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b. 171
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composition: Op. 23, Ballade in G minor
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The version of A (→FE1) (→GE1→GE2 →EE1→EE2) was changed in FE2. The change was almost certainly performed at Chopin's request; however, it is unlikely that he would have wanted to leave d2 in the penultimate crotchet of the quintuplet – the aim of the correction was most probably a version analogous to b. 170. Therefore, it would be an example of an unfinished correction – the engraver was supposed to move d2 from the 4th crotchet to the 5th; he inserted it in a new place, but did not remove it from the former. Such mistakes are very frequent, e.g. in the Ballade in F, Op. 38, b. 179, the Scherzo in B minor, Op. 20, b. 135 and 292 or the Polonaise in A, Op. 40 No. 1, b. 93). Therefore, in the main text we suggest a respectively modified version of FE2, most probably intended by Chopin. Versions of the remaining sources are arbitrary attempts to partially or completely unify the respective fragments of b. 170 and 171. category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions; Corrections & alterations issues: EE revisions , Errors in EE , Errors in GE , GE revisions , Authentic corrections of FE |
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b. 174
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composition: Op. 23, Ballade in G minor
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In FE, there are no dots prolonging the 1st chord. The patent mistake was corrected by GE and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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b. 179
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composition: Op. 23, Ballade in G minor
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In GE2, this bar was re-engraved, most probably due to the wear and tear of this fragment of the plate. At the same time, a "mirror" mistake was committed – the slur along with the digit 4, marking a quadruplet, was printed under the first four bottom voice crotchets (it was placed to the left of the g1 crotchet instead of to the right). Interestingly, the rhythmic mistake of GE2 was not corrected in the subsequent impressions of GE – GE3 (→GE4) added the correct slur but did not move the digit. category imprint: Differences between sources issues: Errors resulting from corrections , Errors in GE , GE revisions , Sign reversal |